Poland Pavilion

The architectural design is based on the use of wood, with an organic form thanks to arches and curves.

The form resembles a spreading wave of creativity and innovation of Poles.

Architectural concept

Saving Lives

The arena for the presentation of Poland during World Expo 2025 Osaka, Kansai will be a national pavilion with an area of around 1,000 m² located in the thematic zone “Saving Lives”.

A wave of innovation

An architectural concept is based on the application of wood, and the form of a block is intended to evoke association with the spreading wave of creativity and innovation of Poles.

Respect for tradition

Designing an expressive wooden facade built using the traditional “Kigumi Koho” wood joining technique is a favour on Polish and Japanese traditional architecture.

Architects

The architectural concept of the Poland Pavilion was developed by Alicja Kubicka and Borja Martínez from Interplay Architects.

Alicja Kubicka

Alicja Kubicka graduated from the Poznań University of Technology, and is a member of the Kuyavian-Pomeranian Regional Chamber of Architects. She also pursued an education at Spanish higher education institutions: Escuela Técnica Superior de Arquitectura in Madrid and La Coruña. Thanks to her fluency in three foreign languages, she spent most of her professional career in France and Spain, working for renowned offices, including Kengo Kuma & Associates, Mesura, as well as Wilmotte et Associés. She played a key role in developing and supervising the construction of big-scale projects, including 1 Hotel Paris and the Exhibition Center in Strasbourg, which was inaugurated in 2022. Currently, she is co-founder of Interplay Architects.

Borja Martinez

Borja Martínez received a diploma of architecture at Escuela Técnica Superior de Arquitectura in San Sebastián after completing an exchange programme at Escuela Técnica Superior de Arquitectura in Madrid. During his professional career at the renowned Japanese design firm Kengo Kuma & Associates, he took part in such international projects as the New Hans Christian Andersen Museum in Odense, the Docteur Leila Mezian Museum in Casablanca, and the Luxury Hotel of La Pointe du Bout in Martinique, where he coordinated the works of multidisciplinary teams. Later, through his cooperation with the French Archi5, Borja also gained rich experience in designing educational and sports facilities. Currently, he is co-founder of Interplay Architects.

“We plan to do everything to create high-quality architecture respecting the environment. After beginning cooperation with Japan, we can see that good design has no limits”

Heritage, Creativity and Artificial Intelligence

The exhibition concept developed by an interdisciplinary team in the Poland Pavilion consists of interactive artistic installations representing the “creativity gene” inscribed into Polish identity. The place’s climate is created by the combination of nature, tradition, science, and technology. Its driving force are the Visitors, who both experience and co-create the exhibition.

Main experiences

The creators of the exhibition concept

The curatorial team responsible for the exhibition concept includes Monika Brauntsch – KAFTI, Ewa Kierklo and Stanisław Kempa – GDYBY and Wiesław Bartkowski.

Monika Brauntsch

KAFTI

Ewa Kierklo, Stanisław Kempa

GDYBY

Gdyby is a design studio created by architects Ewa Kierklo and Stanisław Kempa. Their activities are mainly based in the culture, art and museum sectors. They create exhibitions, installations and other mediums of storytelling, with a particular focus on experience design and interactive narratives. Directing the viewer’s impressions and bringing out the symbolic and emotional layers is key for them. Gdyby has completed projects in cooperation with many recognised cultural institutions both in Poland and abroad.

Wiesław Bartkowski

Complex systems researcher and interaction designer, employee of the University of Warsaw who researches, among other things, how to develop AI to avoid degrading human cognitive abilities. Author of the concept and manifesto “Matter of Code”, which guides his work in the field of art, exploring the emergent properties resulting from the combination of physical and digital matter. Finalist in the exhibition competition for the Polish Pavilion for the International Art Exhibition – La Biennale di Venezia. Fellow of the Centre for Systemic Risk Analysis and the think tank Re-Imagine Europa.